The sigilization technique described below is a variation of the procedure illustrated by Adam Blackthorne in The Master Works of Chaos Magick: Practical Techniques For Directing Your Reality. It is a method that I have used extensively with much success and I consider it to be one of the most intuitive, expedient, and versatile magico-psychical techniques available. It is primarily employed for operations of enchantment as demonstrated below, but may be adapted for divinatory purposes as well. The procedure is as follows:
Place the tip of a writing utensil on a piece of paper, mentally clarify your “statement of intent”, and vividly imagine the event you desire to occur from the first person perspective, arousing the feeling of satisfaction or excitement that you would experience following the actual fulfillment of that desire.
Once you have semi-lost yourself in the visualization, allow the writing utensil to move in a spontaneous, quick, and explosive manner. This automatically produced mark is the sigil.
Now, place the sigil in front of you and either [1] visually focus on it until you experience anoesis, or [2] visually focus on it while chanting a mantra until anoesis ensues.
Conclude the operation and take a few moments to clear your mind.
To later avoid ‘lust of result’ (which is theorized to undermine your intended manifestation), re-arouse the retrospective feeling of fulfillment each time you recall having performed the operation.
This technique is used frequently by someone I know personally and they say it allows them to channel something like a “core essence,” a source of creativity, a voice, which otherwise remains inexpressible with ordinary writing techniques. Physically, it’s more like a practical application of autohypnosis, and grants oneself temporary release from internalized prejudices, judgements, and tension, therefore allowing access to newer ideas without that overly-critical inner force which naturally predicts, analyzes, and catalogues thoughts and feelings.
Quite reminiscent of Austin Spare’s experiences with automatic drawing.
teakepp 